If Alexis Mabille could manage to bring an element of sophistication to his elaborate works that he presents for his usually over-designed Haute Couture collections and his designs didn't usually look pageant-ish and costume-y he'd do himself a world of favors. Even though his Fall/Winter 2015 Haute Couture collection was better than his most recent output, near the end it became as it usually does, convoluted. Starting off with a slinky fishtail gown in Emerald, it was also an exercise of overindulgence, surmounted as it was by a back draped shawl of sequins.
As the looks progressed, they became an orgy of excessive detail and outsize exhibitionism of fabric and none of these details served the clothes in any matter other than to distract rather than amplify. A Shell Pink gown with a outrageously huge pouf of Rose Pink Taffeta on the shoulder looked baroque and operatic, and it was perhaps the only piece that didn't suffer from an overabundance of largesse, even though it was still quite grandiloquent. Mabille's collection was a typical extravaganza of superfluity and as such, suffered as his collections usually always do for it.
If Mabille could tame his more excessive instincts and not gild the lily to within a 1/8 inch of it's life, he'd produce pieces that didn't look fit more for a production of "Die Zauberflöte" and work in a modern context. One can only hope he finds that the axiom of "Less is More" is something he should follow and apply to his work.